Rachel Thompson

Writer, Poet, Editor, and Winner of SFU 1st Book Competition (poetry)

“We write to taste life twice”

I recently received this Anaïs Nin quote from a writer, along with a good submission to Room. We rejected the submission, encouraging her to rework and submit to the upcoming Mythologies of Loss issue, but since then, Nin’s words have replayed in my mind like an earworm.

Her full quote is, “We write to taste life twice, in the moment and in retrospection.” It reminds me of Edward Hirsch’s excellent explanation of the difference between modernist poetry, and poetry that comes from that retrospection, in this case, Pablo Neruda’s:

The great modernist writers, like Joyce or Eliot, often present us with an idea of the artist presiding over his creation like an objective, all-powerful god, but Neruda presents himself as writing from inside the experience of his own creation, trying to figure out what he is writing about, taking us through the logic of his thinking.
(From the highly recommended, How to Read a Poem, And Fall in Love with Poetry.)

A recent, personal, profound loss brought, along with the usual grief, a wave of dread that must be unique to writers. I would be writing about this one day, I realized, and I really didn’t want to “taste” this twice.

But as writers we must. The Nin quote might be more apt with a small change in punctuation and grammar, “We write. We taste life twice.”

If loss is anything, it is lonely. But perhaps the intimacy of the page shared by writer and reader can make it less so. When establishing the theme for this issue, I figured there must be other writers out there who are re-tasting through retrospection personal tragedies, re-framing things, exploring the insides of the experience. I thought these writers could come together and share the logic of their thinking (their “mythologies”) lighting the way for others who have, or who inevitably will, lose someone or something dear to them (that’s life).

So far, having seen some of the elegant, beautiful, and sometimes haunting submissions received at Room, what I imagined is true. If you are a writer with work on the theme of loss, consider sending us your best poetry, fiction, or creative nonfiction. Deadline is August 15th.

Rachel Thompson is the author of Galaxy (Anvil Press, 2011, winner of the SFU 1st Book Competition), and a collective member of Room magazine (i.e. the live human who first receives your poetry submissions). She is the editor of Room 36.1, Mythologies of Loss, to be published in Spring 2013.

Dinner Company

This poem appeared in Vol. 28, No. 3 of CV2, but didn’t make it into Galaxy.

Dinner Company /corpus repast/

you peel apples—
strips of skin coil
on the counter /time/

the crude blade /device/ cuts
too deep—leaves sweet apple matter /mater/ stuck
to the golden /fooled/ delicious peel

i turn to coring
& tear the seeds /source/ & stems /history/ from abdomens
of rough-hewn spheres
scrape out /void/ the hard bits
the kind that lodge /home/ between teeth

i imagine worms in unseen rot /root/
i peer through the hollow middles /heart/
humming a lullaby /mocking
bird/

i place them in the silver pot
& add spice & sugar
as you turn to our table & make nice
with the guests
a complete family /order/

Nth Position

This is an early draft of a poem that ended up in Galaxy, published by Todd Swift, a Canadian working in England. (We get around.)

Daria (an excerpt from Galaxy) in Broken Pencil #52

Daria spread in Broken Pencil

Daria in Broken Pencil #52

Broken Pencil published an excerpt from Galaxy, a prose poem called Daria in issue #52. I feel so indie!

Winnipeg Free Press mention of Galaxy

Review of Galaxy by Ariel Gordon: “Very nice! (More poems please!)”

Ariel and I didn’t really know each other, but we went to University of Winnipeg at the same time and we both worked for the The Uniter newspaper there. I believe she interviewed me for my post at The Uniter, in fact. So, some things never change: she’s always just ahead of me!

Interview with Uptown

Here’s an interview I did with Uptown Magazine.

Fabricated facts, authentic feelings
Rachel Thompson’s poetry collection Galaxy is a kind of ‘emotional biography,’ loosely inspired by the work of Margaret Laurence.

(Warning: I come off as really pretentious.)

My foray into Australian Pastoral Literature

Cordite Poetry Review